In the Kingdom of Dreams and Madness: Clark Ashton’s Druid Hill

“Art wasn’t supposed to look nice; it was supposed to make you feel something.” – Rainbow Rowell, Eleanor & Park

Clark Ashton remembers the first time he saw him. There was a man who wore the three-piece white suit; he would hang out on the street corner, swinging a gold chain. To a young Ashton, this man was fascinating. The man who fearlessly stood out in the small town of Augusta, Georgia. He was unique, inimitable.

For a new generation, Ashton has become a similar figure, “that strange man over on Druid Hills road.” Each year, for the past twenty-four years, he has sat on a throne in his front yard, waving at local school children who are trapped in morning traffic. He is trying to show kids that it is okay to be different, that people can prosper in alternative lifestyles. In his view, independent thought and action are increasingly important in a highly regimented society. Most people react favourably, but a few laugh or yell. It doesn’t bother him. Ashton believes in what he is doing. Continue reading “In the Kingdom of Dreams and Madness: Clark Ashton’s Druid Hill

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“A Horrible Demoness:” DeKalb History Center’s Historic Scrapbook Collection

“My father used to say that stories are part of the most precious heritage of mankind.” ― Tahir Shah, In Arabian Nights: A Caravan of Moroccan Dreams

I love perusing through old scrapbooks. An unorthodox hobby, I know, but I find them utterly fascinating. This strange amusement supports commonly held assumptions: that historians and archivists are fundamentally nosy, digging through people’s mail and scrutinizing their written records. Personally, it as an extension of natural curiosity. Most of us are captivated by the past. If we know where we come from, we can forecast where we are headed. Continue reading ““A Horrible Demoness:” DeKalb History Center’s Historic Scrapbook Collection”